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History --- art history --- Art --- anno 1960-1969 --- anno 1900-1999 --- History of civilization --- Belgium --- Geschiedenis van de nieuwste tijden --- Histoire contemporaine --- Arts, Flemish --- jaren 1960 --- 378.18 <493> --- 949.3.04 --- -België --- twintigste eeuw --- 7.038 --- 949.3 "1958/1968" --- Jaren '60 --- Protestgeneratie --- Flemish arts --- Studenten: statuut. Maatschappelijke problemen van studenten--België --- Geschiedenis van België: 1945-heden --- 949.3.04 Geschiedenis van België: 1945-heden --- 378.18 <493> Studenten: statuut. Maatschappelijke problemen van studenten--België --- België --- C3 --- maatschappijbeeld --- maatschappijkritiek --- iconografisch materiaal --- Kunst en cultuur --- jaren 1960.
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"Grounded in both the historical longevity of cultural migration and its particular qualities in contemporary society, the essays that comprise The Culture of Migration: Politics, Aesthetics and Histories, take a broad view of the negotiations between subjects in movement and the geopolitical terrains they traverse. The volume never forgets the politicised dimensions of migration and the sometimes difficult experiences of individual migrants, yet the essays are wonderfully hopeful of the power of the arts to provide spaces in which identities and meanings can coalesce and be understood across differences. This is an empowering book that brings a range of voices and practices together to rethink the legacies of the past and the possibilities of our futures. In this careful orchestration of ideas and images, the editors of The Culture of Migration have managed to redraw the lines of politicised aesthetics in new and nuanced configurations. The Culture of Migration explores the ways in which culture and the arts have been transformed by migration in recent decades, and in turn how these cultural and aesthetic transformations have contributed to shaping our identities, politics, and societies."
Emigration and immigration --- Social aspects. --- History. --- Migration, immigration & emigration. --- Migration. Refugees --- Art --- art [fine art] --- migration [function] --- boundaries --- multiculturalism --- globalization --- art [discipline] --- culturele diversiteit (kunst) --- Emigration and immigration. --- Émigration et immigration --- Aspect social. --- Histoire.
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This volume examines the ways that writers from the Caribbean, Africa, and the U.S. theorize and employ postcolonial memory in ways that expose or challenge colonial narratives of the past, and shows how memory assumes particular forms and values in post/colonial contexts in twenty and twenty-first-century works. The problem of contested memory and colonial history continues to be an urgent and timely issue, as colonial history has served to crush, erase and manipulate collective and individual memories. Indeed, the most powerful mechanism of colonial discourse is that which alters and silences local histories and even individuals’ memories in service to colonial authority. Johnson and Brezault work to contextualize the politics of writing memory in the shadow of colonial history, creating a collection that pioneers a postcolonial turn in cultural memory studies suitable for scholars interested in cultural memory, postcolonial, Francophone and ethnic studies.
Colonisation. Decolonisation --- Pragmatics --- History of civilization --- Africa --- Caribbean area --- United States --- Philosophy and psychology of culture --- colonization --- literary criticism --- memory --- postcolonialism --- Culture-Study and teaching. --- Historiography. --- Imperialism. --- Culture. --- Literature . --- Cultural Theory. --- Memory Studies. --- Imperialism and Colonialism. --- Global/International Culture. --- Postcolonial/World Literature. --- Belles-lettres --- Western literature (Western countries) --- World literature --- Philology --- Authors --- Authorship --- Cultural sociology --- Culture --- Sociology of culture --- Civilization --- Popular culture --- Colonialism --- Empires --- Expansion (United States politics) --- Neocolonialism --- Political science --- Anti-imperialist movements --- Caesarism --- Chauvinism and jingoism --- Militarism --- Historical criticism --- History --- Social aspects --- Criticism --- Historiography --- Culture—Study and teaching. --- memory [psychological concept]
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Amongst recent contemporary art and museological publications, there have been relatively few which direct attention to the distinct contributions that twentieth and twenty-first century artists have made to gallery and museum interpretation practices. There are fewer still that recognise the pedagogic potential of interventionist artworks in galleries and museums. This book fills that gap and demonstrates how artists have been making curious but, none-the-less, useful contributions to museum education and curation for some time. Claire Robins investigates in depth the phenomenon of artists' interventions in museums and examines their pedagogic implications. She also brings to light and seeks to resolve many of the contradictions surrounding artists' interventions, where on the one hand contemporary artists have been accused of alienating audiences and, on the other, appear to have played a significant role in orchestrating positive developments to the way that learning is defined and configured in museums. She examines the disruptive and parodic strategies that artists have employed, and argues for that they can be understood as part of a move to re-establish the museum as a discursive forum. This valuable book will be essential reading for students and scholars of museum studies, as well as art and cultural studies.
Educational sciences --- educating --- Didactics of the arts --- museology --- Museology --- anno 1900-1999 --- anno 2000-2099 --- Artists and museums. --- Artists and museums --- Art in education. --- Museums --- History. --- Educational aspects. --- Art museums --- Museum techniques. --- Education --- Museums and artists --- Exhibitions. --- Technique --- Applied museology --- Museography --- Museum practices --- Museum studies --- art appreciation --- art interventions --- Art museums. --- Artistes et musées. --- Musées d'art --- Muséologie. --- museology. --- Aspect éducatif.
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Contemporary art biennials are sites of prestige, innovation and experimentation, where the category of art is meant to be in perpetual motion, rearranged and redefined, opening itself to the world and its contradictions. They are sites of a seemingly peaceful cohabitation between the elitist and the popular, where the likes of Jeff Koons encounter the likes of Guy Debord, where Angela Davis and Frantz Fanon share the same ground with neoliberal cultural policy makers and creative entrepreneurs. Building on the legacy of events that conjoin art, critical theory and counterculture, from Nova Convention to documenta X, the new biennial blends the modalities of protest with a neoliberal politics of creativity. This book examines a strained period for these high art institutions, a period when their politics are brought into question and often boycotted in the context of austerity, crisis and the rise of Occupy cultures. Using the 3rd Athens Biennale and the 7th Berlin Biennale as its main case studies, it looks at how the in-built tensions between the domains of art and politics take shape when spectacular displays attempt to operate as immediate activist sites. Drawing on ethnographic research and contemporary cultural theory, this book argues that biennials both denunciate the aesthetic as bourgeois category and simultaneously replicate and diffuse an exclusive sociability across social landscapes.
Museology --- biennials [exhibitions] --- Art and society. --- Art --- Biennials (Art fairs). --- Economic aspects. --- Biennials. --- Art and sociology --- Society and art --- Sociology and art --- Social aspects --- Art and society --- Biennials --- Economic aspects --- Biennials (Art fairs) --- Biennales (Art fairs) --- Art fairs --- activism --- art history --- contemporary art --- curating --- economics --- exhibition --- museum studies --- Occupy --- politics --- visual culture
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An inventive examination of a crucial but neglected aspect of architecture, by an architect writing to architects.
Architecture --- Buildings --- Edifices --- Halls --- Structures --- Human factors in architecture --- Human engineering --- Architecture and society --- Human factors. --- Maintenance and repair --- Environmental engineering --- Maintenance --- Miscellanea. --- ARCHITECTURE/Architectural Theory & Criticism --- ARCHITECTURE/Architectural History/Contemporary Architecture --- Constructions --- Miscellanea --- Facteurs humains --- Entretien --- Miscellanées --- 72.025 --- Monumentenzorg --- Restauratie (architectuur) --- Renovatie (architectuur) --- Design architectural --- Design architectural. --- Facteurs humains. --- Entretien. --- Entretien des bâtiments --- Processus de conception --- Art --- outdoor sculpture --- maintenance --- architecture [object genre] --- preserving --- architectural conservation --- Built environment
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Art --- schilderkunst --- painting [image-making] --- History of Belgium and Luxembourg --- Museum of Fine Arts [Ghent] --- Groeninge Museum [Bruges] --- Royal Museum of Fine Arts [Antwerp] --- Flanders --- Museologie --- Muséologie --- Peinture --- Schilderkunst --- Bosch, Jeroen, --- Ensor, James, --- Koninklijk Museum voor Schone Kunsten Antwerpen --- Groeningemuseum Brugge --- Museum voor Schone Kunsten Gent --- cultuurgeschiedenis --- Ensor, James --- Bosch, Jheronimus --- 069 <493> --- C3 --- C6 --- comparatief onderzoek --- musea --- Vlaams Gewest [gewest in land België - BE] --- plastische kunsten --- 706 --- Permanente tentoonstellingen. Musea--België --- Kunst en cultuur --- Opvoeding, onderwijs, wetenschap --- Exhibitions --- 069 <493> Permanente tentoonstellingen. Musea--België --- Belgium --- Vlaamse school --- MSK: Museum of Fine Arts [Ghent] --- Koninklijk Museum voor Schone Kunsten Antwerpen. --- Groeningemuseum Brugge. --- Museum voor Schone Kunsten Gent. --- cultuurgeschiedenis. --- Ensor, James. --- Bosch, Jheronimus.
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"Offering historical and theoretical positions from a variety of art historians, artists, curators, and writers, this groundbreaking collection is the first substantive sourcebook on abstraction in moving-image media. With a particular focus on art since 2000, Abstract Video addresses a longer history of experimentation in video, net art, installation, new media, expanded cinema, visual music, and experimental film. Editor Gabrielle Jennings--a video artist herself--reveals as never before how works of abstract video are not merely, as the renowned curator Kirk Varnedoe once put it, 'pictures of nothing, ' but rather amorphous, ungovernable spaces that encourage contemplation and innovation. Featuring renowned artists such as Jeremy Blake, Mona Hatoum, Pierre Huyghe, Ryoji Ikeda, Takeshi Murata, Diana Thater and Jennifer West, alongside emerging artists, this volume offers fresh and vigorous perspectives on a burgeoning and ever-changing arena of contemporary art"--Provided by publisher.
hedendaagse kunst --- installations [visual works] --- motion pictures [visual works] --- interactive art --- multimediakunst --- video art --- sound [acoustics] --- Art --- abstraction --- computer art [visual works] --- anno 2000-2009 --- anno 1900-1999 --- anno 2010-2019 --- Video art. --- Art, Abstract. --- 778.5.01 --- Videokunst ; video-installaties ; 21ste eeuw ; theorie --- Beeldende kunst en bewegend beeld --- Abstracte kunst en film --- Abstract art --- Art, Non-objective --- Non-objective art --- Art, Modern --- Modernism (Art) --- Electronic art --- Experimental television --- Performance art --- Television --- Experimental films --- Kunst nieuwe technieken ; theorie ; filosofie ; esthetica --- Video art --- Art, Abstract --- Time-based art --- 21st century. --- abstract art. --- abstract video. --- abstraction. --- art criticism. --- art critics. --- art historians. --- art history. --- art installations. --- art students. --- art studies. --- art theory. --- art writers. --- art. --- artists. --- contemporary art. --- curators. --- emerging artists. --- essay collection. --- experimental art. --- experimental film. --- historical perspective. --- media studies. --- modern art. --- moving images. --- net art. --- new media. --- nonfiction essays. --- photographers. --- video artists. --- visual art. --- visual music.
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History --- lexicons --- architecture [discipline] --- Architecture --- sculpting --- Sculpture --- art history --- Art --- Painting --- art appreciation --- painting [image-making] --- Hertzberger, Herman --- Fetting, Rainer --- Johns, Jasper --- Alberts, Anton --- Sottsas, Ettore --- Pan, Marta --- King, Philip --- Vasarely, Victor --- Simonds, Charles --- Wesselmann, Tom --- Christo --- Lucas, Stewart --- Smith, Tony --- Hall, David --- Schippers, Wim T. --- Goings, Ralph --- Francis, Sam --- Kuramata, Shiro --- Kommers, Else --- Maters, Bas --- Dine, Jim --- Taylor, Gerard --- Chia, Sandro --- Piano & Rogers --- Paladino, Mimmo --- Maria, de, Nicola --- Richier, Germaine --- Riley, Bridget --- Bisschop, Peter --- Zimmer, Bernd --- Bisscheroux, Laurens --- Monselles, Verita --- Hamilton, Richard --- Spronken, Arthur --- Nevelson, Louise --- Rijvers, Wim --- Cottingham, Robert --- Wex, Marianne --- Bazaine, Jean --- Velde, van, Bram --- Pollock, Jackson --- van de Wint, Rudi --- Lohse, Richard Paul --- Boltanski, Christian --- Bofill, Ricardo --- Zanini, Marco --- Fabro, Luciano --- Judd, Donald --- Dam, C. --- Amen, van, Woody --- Hanson, Duane --- Daniels, René --- Estes, Richard --- Marini, Marino --- Beuys, Joseph --- Tatafiore, Ernesto --- Struycken, Peter --- Sneyders de Vogel, Hermian --- Nesbitt, Lowell --- Stirling, James --- Soto, Jesús Rafael --- Thek, Paul --- Bay, Didier --- Cibic, Aldo --- Snelder, B. --- Raysse, Martial --- Staeck, Klaus --- Snelson, Kenneth --- Combas, Robert --- Byars, James L. --- Appel, Karel --- Cucchi, Enzo --- Schoonhoven, Jan J. --- Volten, André --- Clemente, Francesco --- Richter, Gerhard --- Panamarenko --- Niemeyer, Oscar --- Paolozzi, Eduardo --- Flavin, Dan --- Morellet, François --- Rauschenberg, Robert --- Baumgarten, Lothar --- Albers, Josef --- Segal, George --- Witkin, Isaac --- Tinguely, Jean --- Lucchi, De, Michele --- Studio Alchimia --- Indiana, Robert --- Kreijkamp, D. --- Thun, Matteo --- Rosenquist, James --- Colville, Alex --- Kelly, Ellsworth --- Kiefer, Anselm --- Eddy, Don --- Visser, Carel --- Immendorff, Jörg --- Gnoli, Domenico --- Zuyderland, Siet --- Ploeg, Maarten --- Ontani, Luigi --- Turnbull, William --- Spoerri, Daniel --- Waterkeyn, A. --- Studio Memphis --- Meyer-Degen, Fiety --- Saint-Phalle, de, Niki --- van Gool, F. --- Salle, David --- Arman --- Caro, Anthony --- Andrea, De, John --- Salomé --- Noland, Kenneth --- Dubuffet, Jean --- Plessi, Fabrizio --- Warhol, Andy --- Blom, Piet --- Nervi, Pier Luigi --- Lafontaine, Marie-Jo --- Oldenburg, Claes --- Eyck, van, Aldo E. --- Zekveld, Jacob --- César --- Longo, Robert --- Marisol --- Middendorf, Helmut --- Gac, le, Jean --- Golden, van, Daan --- Close, Chuck --- Tucker, William --- Lüpertz, Markus --- Berkulin, Arie --- Penck, A.R. --- Lichtenstein, Roy --- Rickey, George --- Kienholz, Edward --- Klein, Yves --- Morris, Robert --- du Pasquier, Nathalie --- Sanders, Har --- Jones, Allen --- Dodeigne, Eugène --- Kemeny, Zoltan --- Bedin, Martine --- Holzbauer, Wilhelm --- Tange, Kenzo --- anno 1900-1999 --- kunst --- schilderkunst --- twintigste eeuw --- abstract expressionisme --- cobra --- materiekunst --- ecole de Paris --- informele kunst --- post-painterly abstraction --- Hard edge --- systematische kunst --- computerkunst --- op art --- junk art --- beeldhouwkunst --- minimal art --- pop art --- kinetische kunst --- nieuw realisme --- hyperrealisme --- protestkunst --- emancipatiekunst --- architectuur --- 7.038 --- Kunstgeschiedenis ; handboeken ; 1945-1988 --- 705.8 --- Kunstgeschiedenis --- Kunstgeschiedenis ; 1950 - 2000 --- Kunst --- geschiedenis --- 1945-1987 --- 1945-1987. --- Geschiedenis --- kunstgeschiedenis --- hedendaagse kunst --- Didactics of the arts --- Contemporary [style of art] --- Wint, van de, Rudi --- Piano & Roger --- Schoonhoven, Jan --- King, Phillip --- Studio Alchimia [Milaan] --- Studio Alchimia [Milan] --- Pasquier, du, Nathalie
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moderne kunst
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Modern [styles and periods]
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Art
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advocatuur
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Victor, René
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Advocaten
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Advocates
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Advokaten
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Attorneys
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Avocats
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Barristers
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Bars
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Catalogues d'expositions
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Gerecht
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Huldeboeken
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Juristen
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Juristes
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Jurists
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Justice
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Lawyers
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Legal profession
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Mélanges
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Rechtsgeleerden
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Solicitors
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Strafpleiters
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Tentoonstellingscatalogi
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Victor, R.
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Art, Belgian
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Art belge
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Exhibitions
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Expositions
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Victor, René,
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Art patronage
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Mécénat
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Dooren, Edmond Van
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Jespers, Floris
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Jespers, Oscar
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Joostens, Paul
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Mieghem, Eugeen van
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Ostaijen, Paul van
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Permeke, Constant
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Spilliaert, Léon
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Vaes, Walter
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Villon, Jacques
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Zadkine, Ossip
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Art patronage.
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Het Sienjaal
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schilderkunst
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beeldhouwkunst
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verzameling René Victor
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Van Dooren, Edmond
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20ste eeuw
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Victor, Rene
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929 VICTOR, RENE
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839.3 "19" VAN OSTAIJEN, PAUL
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7.078.2
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929
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-#BIBC:ruil
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